Porcelain Publishing / CT / Volume 9 / Issue 1 / DOI: 10.47297/wspctWSP2515-470207.20250901
ARTICLE

A. R. Ammons's Poetics of Motion and Oriental Philosophy

Huimin Hao1
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1 School of Liberal Arts, Shanghai University, Shanghai 200444, P.R. China
© Invalid date by the Author(s). This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution 4.0 International License ( https://creativecommons.org/licenses/by/4.0/ )
Abstract

A. R. Ammons's poetry demonstrates a profound engagement with oriental philosophy, particularly bearing the traces of I Ching and Dao De Jing, which informs his distinctive poetics of motion. Central to his thought is a metaphysical model grounded in the  dynamic interplay among zero, one, and many—corresponding respectively to the notions of "Wuji," "Taiji" and "yin-yang" in the  Chinese philosophy of changes. Beyond poetic principle, these elements structure Ammons's exploration of changes as both  personal emotion and ecological existential condition, forming what might be called an "E-motion" that links his inner  transformation with natural movement. Through recursive patterns, Ammons constructs a poetics that affirms flux and order, offering a unique philosophical vision of poetic being, that is, the idea of change inherent with a balance between permanent  change and changelessness.

Keywords
A. R. Ammons
oriental philosophy
motion
zero-one-many
change
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