"Reconstructing" Film History: Data Management, Knowledge Reorganization, and Intelligent Emergence in the Context of Digital Humanities
In the realm of digital humanities, managing assets and conducting cultural analyses using metadata and computational tools are fundamental tasks in film data management. Multidimensional associations and automatic generation based on the metainterface and digital nativity form the core of film knowledge reorganization. As critical digital humanities continue to explore immersive interaction, embodiment, critical data studies, and interface cultural criticism, reflections on media and cultural critique grounded in film ontology can transcend the mere "rewriting" of film history. By operating at the intersections of knowledge platforms and human-machine collaborative intelligent emergence, this approach enables a "reconstructing" of film history driven by big data and artificial intelligence (AI).
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